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Zitkála-Šá, The Red Bird Activist

1876–1938

Zitkála-Šá
Illustration by Brooke Smart

“Look up, and see a new day dawning!”

 

By Barbara Jones Brown

 

One leading advocate for Native people’s civil rights was Zitkála-Šá, a Dakota woman who spent much of her adult life in Utah. Dividing her growing-up years between South Dakota’s Yankton Indian Reservation and a boarding school for Indian children in Wabash, Indiana, Zitkála-Šá learned to navigate two worlds. She described both the misery of the boarding school’s attempts to erase her Native heritage, and her contrasting joy in learning to read, write, and play the piano and violin.

Photo of Zitkala-Sa sitting with her violin and bow against a floral wall. She wears a white dress.

Zitkala-Sa in 1898

Zitkála-Šá aspired to become more than a housekeeper, as the school anticipated its female students would do. She became a music teacher at the school. In 1895, she received her diploma and gave her first and highly-praised speech on women’s inequality.

Although higher education for women was limited at that time, Zitkála-Šá attended Earlham College in Richmond, Indiana, where she received a scholarship and continued to prove her oratorical skills. She also began her years-long pursuit of recording Native American oral histories and translating them into English.

In 1902 she married Captain Raymond Bonnin, who had one-quarter Yankton Dakota ancestry. The newlyweds soon moved to Utah, where Captain Bonnin was assigned to the Uintah and Ouray Reservation. The couple worked and lived among the Ute people for the next fourteen years.

Black and white photo of Zitkala-Sa standing next to a man, and both are wearing traditional Native American clothing

William F. Hanson and Zitkala-Sa. Photo courtesy of Harold B. Lee Library, Brigham Young University

In Utah, Zitkála-Šá met William F. Hanson, a composer and music professor at Brigham Young University. Together they composed The Sun Dance Opera. Zitkala-Sa wrote the songs and libretto based on Sioux ritual. She also played Sioux melodies on the violin, which Hanson used as the basis of his music composition. In 1913 the opera, featuring members of the Ute Nation, premiered at the Orpheus Hall in Vernal, Utah, to critical acclaim.

Also during her time in Utah, Zitkála-Šá joined the Society of American Indians. Through her prolific writings, she called for preservation of the Native way of life while lobbying for their right to full American citizenship.           

In 1916, the couple and their young son moved to Washington D.C., where Zitkála-Šá began lecturing to promote the cultural and tribal identity of Native Americans. She promoted a pan-Indian movement to unite all of America’s tribes in the cause of lobbying for citizenship rights, leading to the passage of the 1924 Indian Citizenship Act.

Black and white photo of Zitkala-Sa brushing her hair back and focusing on something out of sight. She wears traditional Native American clothing/jewelry.

Zitkala-Sa

Zitkála-Šá was also active in the women’s rights movement. In 1921 she joined the General Federation of Women’s Clubs, a grassroots organization dedicated to diversity and to maintaining a public voice for women’s concerns.

In 1926, Zitkála-Šá and her husband co-founded the National Council of American Indians, which continued to lobby for Native suffrage rights. She served as the council’s president, public speaker, and major fundraiser, until her death in 1938.

 

 

Barbara Jones Brown is the Executive Director of the Mormon History Association.

Sources

The School Days of an Indian Girl, and An Indian Teacher Among Indians. Dodo Press, 2009. Gina Capaldi, Red Bird Sings: The Story of Zitkala-Sa, Native American Author, Musician, and Political Activist. Millbrook Press, 2011. Helen Rappaport, Encyclopedia of Women Social Reformers, Volume 1, 100–101 (ABC-CLIO), 2001 P. Jane Hafen, “A Cultural Duet/ Zitkala Sa And the Sun Dance Opera,” Great Plains Quarterly, April 1, 1998.